{"id":1396,"date":"2023-04-16T00:17:09","date_gmt":"2023-04-16T07:17:09","guid":{"rendered":"https:\/\/sheijgs.space\/?page_id=1396"},"modified":"2024-04-28T22:22:04","modified_gmt":"2024-04-29T05:22:04","slug":"1396-2","status":"publish","type":"page","link":"https:\/\/sheijgs.space\/?page_id=1396","title":{"rendered":"&#8220;The Ancient Korean Whale-Dragon Bell&#8221; Helen Hye-Sook Hwang"},"content":{"rendered":"\n<p class=\"\"><a href=\"https:\/\/www.paypal.com\/cgi-bin\/webscr?cmd=_s-xclick&amp;hosted_button_id=TKC9SF4RC8V66\">Buy the Ebook of this article for $5.00<\/a>, (Read Only for the minimum of 3 months, extendable upon request to mago9books@gmailcom)<\/p>\n\n\n\n<p class=\"\">The Ancient Korean Whale-Dragon Bell: An Encodement of Magoist Cetacean Soteriology<\/p>\n\n\n\n<p class=\"\">Helen Hye-Sook Hwang<\/p>\n\n\n\n<p class=\"\"><\/p>\n\n\n\n<p class=\"\"><strong>Abstract <\/strong>This essay designates Korean bronze bells as the whale-dragon bell and decodes its matriversal (maternally cosmic) language involved in the indigenous tradition of Magoist Cetaceanism. The whale-dragon bell awakens moderns to what has been forgotten, the interspecific bond, originating from a pre-patriarchal time, between matriarchal shaman head mothers and whales. At the core of Magoist Cetaceanism is the consciousness that the bio-sonic-aquatic-ecological behavior of whales is an indispensable blessing to All on the planet. And the planetary influence of whales is symbolized and revered as a dragon. Commonly known for <em>beomjong<\/em> (\u68b5\u9418 the sacred bell) or <em>dongjong<\/em> (\u9285\u9418 the bronze bell) today, Korean temple bells have originated from the Silla period (57 BCE-935). Female, dragon, and numeric symbols expressed in the whale names, the whale-shaped striker, and such designs as the Nine Nipples, the Breast Circumferences, the eight-fold designs, the Dragon Loop, and the Dragon Tube sculpted on the bell\u2019s body are the hallmark of the Sillan bronze bell. In decoding the matriversal language of the Sillan whale-dragon bell, this essay focuses on the two extant monumental bells, the Bronze Bell of Sangwonsa cast in 725 (the extant oldest bell), and the Divine Bell of Seongdeok the Great cast in 771 (the extant largest bell) and discusses their multifaceted features as well as the Name Texts engraved on the bodies. The whale-dragon bell as a time capsule takes its researchers to the forgotten mytho-history of Magoist Korea. The whale-dragon bell was a socio-political-soteriological undertaking of Sillan Cetacean Magoists upon achieving \u201cthe One Unified Home,\u201d the Utopian vision of Unified Silla (676-935). Put differently, the whale-dragon bell was the Sillan Magoist manifesto that Sillans became the Mother State and embraced her daughter peoples. Sillans were able to revive the matriversal confederacy of Old Magoist Korea, succeeding the Budo Joseon confederacy of Three Hans (ca. 2333 BCE \u2013 232 BCE) and the Goma\u2019s pre-patriarchal Danguk confederacy of Nine Hans (ca. 3898 BCE \u2013 2333 BCE). However, the achievement of Unified Silla came with the price. The eighth century Sillans were losing the royal matrilineage, which had been the engine of matriarchal politics. In the wake of the disintegration of the major royal matrilineage, which had lasted for nearly five centuries, Regent Queen Mother Manwol (Full Moon) undertook the casting of the Divine Bell of Seongdeok the Great. The Divine Bell was born to reenact the salvific vision of Cetacean Magoism, when Sillan politics headed to unprecedented political instability. It summons the Magoist Cosmogony, the matriversal consciousness of the Cosmic Music, an interplay of musically charged nine numbers, which bring forth birth, growth, and transformation to ALL.<\/p>\n\n\n\n<p class=\"\"><strong>Keywords<\/strong> bronze bell, Silla, whale, dragon, Magoist Cetaceanism, cosmogony, Korea, Cosmic Music, nine, nona numerology, shaman mothers, Magoism, whale totemism, Silla, royal matrilineage <\/p>\n\n\n\n<p class=\"\"><\/p>\n\n\n\n<p class=\"\">Korean bronze bells, commonly known as <em>beomjong<\/em> (\u68b5\u9418 the sacred bell) or <em>dongjong<\/em> (\u9285\u9418 the bronze bell), have drawn a broad range of scholarly and public attention for a few decades.<a id=\"_ftnref1\" href=\"#_ftn1\">[1]<\/a> Based on these sources, I approach the topic from a yet new perspective of the pre-Buddhist indigenous matriversal (maternally cosmic) Korean tradition, Magoism. This essay brings Korean bronze bells under the limelight of Magoism, the Way of the Creatrix, and explores their origin in the period of Unified Silla (676-935). Magoism refers to the matriversal tradition that ancient Koreans inherited from their ancestors, the People of Mago, the Creatrix&#8230;.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"\"><a id=\"_ftn1\" href=\"#_ftnref1\">[1]<\/a> Scholarship on the topic of Sillan bronze bells in the Korean language displays diverse perspectives, focusing on Buddhism, women, and music respectively. The name texts, bell designs and symbols, the sound, and the commissioners have been discussed in depth.<\/p>\n\n\n\n<p class=\"\"><\/p>\n\n\n\n<p class=\"\"><a rel=\"noreferrer noopener\" href=\"https:\/\/sheijgs.space\/?page_id=42\" target=\"_blank\">Subscription<\/a>&nbsp;to receive the article in PDF.<br><a rel=\"noreferrer noopener\" href=\"https:\/\/sheijgs.space\/?p=1377\" target=\"_blank\">S\/HE: An International Journal of Goddess Studies Volume 2 Number 1 (2023)<\/a><\/p>\n\n\n\n<p class=\"\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Buy the Ebook of this article for $5.00, (Read Only for the minimum of 3 months, extendable upon request to mago9books@gmailcom) The Ancient Korean Whale-Dragon Bell: An Encodement of Magoist Cetacean Soteriology Helen Hye-Sook Hwang Abstract This essay designates Korean bronze bells as the whale-dragon bell and decodes its matriversal&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1347,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1396","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/pages\/1396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sheijgs.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1396"}],"version-history":[{"count":5,"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/pages\/1396\/revisions"}],"predecessor-version":[{"id":2092,"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/pages\/1396\/revisions\/2092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sheijgs.space\/index.php?rest_route=\/wp\/v2\/media\/1347"}],"wp:attachment":[{"href":"https:\/\/sheijgs.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}